The Australian Academy of the Humanities

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Herald Chair of Fine Arts
School of Culture and Communication
University of Melbourne
Email: jaynie@unimelb.edu.au
Website: http:www.sfca.unimelb.edu.au

BA(Melb), MA(Oxford), PhD(Bryn Mawr)

Professor Anderson, the Herald Professor of Fine Arts, took up her appointment in 1997. She is a graduate of the University of Melbourne and Bryn Mawr College. Professor Anderson's expertise is in the areas of Venetian Renaissance painting, the patronage of women, and 19th-century collecting and conservation. Currently, she is researching underdrawing in 19th-century Australian painting. She teaches in all the areas in which she actively researches.



Selected Publications:
The Art Market in Risorgimento Italy, Venice, 1999
Giorgione. The Painter of Poetic Brevity, 1997
Judith, 1997
I Taccuini Marchigiani di Giovanni Morelli, Motta, Milan, 2001.

Associate Professor
Email: J.Barclaylloyd@latrobe.edu.au

BA(Hons), MPhil, PhD(London)

Expertise: Early Christian and medieval art and architecture
Interests: Art, Classical Music, Literature

Selected Publications:
Books:
Joan E. Barclay Lloyd, Ss. Vincenzo e Anastasio at Tre Fontane near Rome: History and Architecture of a medieval Cistercian Abbey, Cistercian Publications Series 198, Kalamazoo, 2006

Joan Barclay Lloyd and Karin Bull-Simonsen
Einaudi, SS. Cosma e Damiano in Mica Aurea: Architettura, Storia e Storiografia di un monastero romano soppresso, Miscellanea della Società Romana di Storia Patria, 38, Rome, 1998

Joan E. Barclay Lloyd, St. Mary's Parish, Thornbury, 1923-1998: Our Story so far..., Melbourne, 1998

Joan Barclay Lloyd, The medieval Church and Canonry of S. Clemente in Rome, San Clemente Miscellany 3, Rome, 1989

J.E. Barclay Lloyd, African Animals in Renaissance Literature and Art, Oxford, Clarendon Press, 1971

Director
Power Institute for Art and Visual Culture
University of Sydney

BA (Hons), University of Melbourne, MA, Bryn Mawr College, PhD, Bryn Mawr College

Faculty of Law
The Australian National University
Email: tim.bonyhady@anu.edu.au

Tim Bonyhady is an authority in Environmental Planning and Law. In this capacity, he was appointed as Council Member of the National Environmental Law Association from 1987-88. In 1985, he was awarded a PhD by the University of Cambridge for his research entitled"The Law of the Countryside: The Rights of the Public". His career as an academic at the ANU, dates back to the late 1970s-early 1980s and he has taught several subjects like property law, environmental law, environmental resources law and planning and development Control law, planning law etc.

Tim Bonyhady was recently awarded The Centenary of Federation Medal. He has held prestigious fellowship positions in Canada, in the UK and in Australia. His works have been shortlisted for the New South Wales Premier's Prize for Non-Fiction and The Age Non-Fiction Book of the Year. He has curated exhibitions at the National Portrait Gallery, National Library of Australia and the School of Art, ANU. He has also convened conferences on Environmental Protection, Humanities and other subjects of academic and public interest.



Selected Publications:
Books:

2002 Burke and Wills: From Melbourne to Myth. Canberra, National Library of Australia, 49pp; extract published Canberra Times, 16 March 2002, Panorama, pp. 6-7.
2000 first published (hardback), The Colonial Earth. Melbourne, Melbourne University Press, 432pp reprint 2001 (hardback), reprint 2002 (paperback).
1993 Places Worth Keeping: Conservationists, Politics and Law. Sydney, Allen & Unwin, 192pp.
1991 Burke and Wills: From Melbourne to Myth. Sydney, David Ell Press, 383pp.
1987 Australian Colonial Paintings in the Australian National Gallery. Canberra, Australian National Gallery/ Oxford University Press, 270pp.
1987 The Colonial Image: Australian Painting 1800-1880. Canberra, Australian National Gallery/ David Ell Press, 111pp.
1987 The Law of the Countryside: The Rights of the Public. Abingdon, Oxford, Professional Books, 290pp.
1985 first published (hardback), Images in Opposition: Australian Landscape Painting 1801-1890, Melbourne, Oxford University Press, reprint 1991 (paperback), 192pp.

Edited Volumes:
2003 co-edited with Nigel Lendon, The Rugs of War. Canberra, School of Art, Australian National University.
2001 co-edited with Tom Griffiths, Words for Country: Landscape and Language in Australia. Sydney, University of New South Wales Press.
2000 co-edited with Andrew Sayers, Heads of the People: A Portrait of Colonial Australia, Canberra, National Portrait Gallery.
2000 (June) co-edited with Mark Peel, Urban Justice: A Special Issue of Urban Policy and Research in Honour of Patrick Troy, Urban Policy and Research, vol. 18, no. 2, June 2000.
1996 co-edited with Tom Griffiths, Prehistory to Politics: John Mulvaney, the Humanities and the Public Intellectual, Melbourne, Melbourne University Press, first published 1996, reprint 1997.
1992 Environmental Protection and Legal Change, Sydney, Federation Press.
1988 The Skottowe Manuscript: Thomas Skottowe's Select Specimens from Nature of the Birds, Animals &c. &c. of New South Wales, Sydney, David Ell Press/ Hordern House, 2 vols.

Book Chapters, Journal Articles and Essays:
2003
'Introduction', The Rugs of War, Canberra, School of Art, Australian National University, pp. 1-2.
' Out of Afghanistan', The Rugs of War, Canberra, School of Art, Australian National University, pp. 4-18.
2002
'So Much for a Name' in Tim Bonyhady & Tom Griffiths (eds), Words for Country: Landscape and Language in Australia, University of New South Wales Press, Sydney, pp. 140-61; also presented in modified form on Lingua Franca, Radio National, 2 March 2002
'The Great Defenders', The Source: A Magazine by Melbourne Water, no. 21, August 2002, pp. 8-9.
Burke and Wills: From Melbourne to Myth', National Library of Australia News, vol. 12, no. 7, April 2002, pp. 3-6; also published in The World of Antiques, July-December 2002, pp. 55-8; also published in reduced form in State Library of Victoria News, no. 20, June-September 2002, pp. 2-3.
2001
'Landscape and Language' in Tim Bonyhady & Tom Griffiths (eds), Words for Country: Landscape and Language in Australia, University of New South Wales Press, Sydney, 2001, pp. 1-13.
'A Detestable Business', in Peter Cochrane (ed.), Remarkable Occurrences: The National Library's First Hundred Years 1901-2001, National Library of Australia, Canberra, 2001, pp. 61-76.
'The Disappointment of the Law' in Steve Dovers (ed.), Processes and Institutional Arrangements for Resource and Environmental Management: Australian Experience, LWRRDC, Canberra, 2001; also in Stephen Dovers & Su Wild Rivers (eds), Managing Australia's Environment, Federation Press, Sydney, 2003, pp. 463-71.
2000
'An Australian Public Trust', in Stephen Dovers (ed.), Environmental History and Policy: Still Settling Australia, Oxford University Press, Melbourne, pp. 258-72.
'Introduction' to Tim Bonyhady & Andrew Sayers (ed.), Heads of the People: A Portrait of Colonial Australia, National Portrait Gallery, Canberra, pp. 1-12.
The First Aboriginal Memorial', in Tim Bonyhady & Andrew Sayers (eds), Heads of the People: A Portrait of Colonial Australia, National Portrait Gallery, Canberra, pp. 13-28.
'Gone Tomorrow', The Australian's Review of Books, February, pp. 11-13.
'Governor Phillip's Legacy', in Patrick Troy (ed.), Equity, Environment, Efficiency: Ethics and Economics in Urban Australia, Melbourne University Press, Melbourne, pp. 134-58.
co-authored with with Margaret Levi and Mark Peel, 'Introduction', Urban Justice: A Special Issue of Urban Policy and Research in Honour of Patrick Troy, Urban Policy and Research, vol. 18, no. 2, June, pp. 141-4.
1999
'The Mistress and the Spinster', The Australian's Review of Books, September, pp. 14-16.
'The Bush as the Garden', in Peter Timms (ed.), The Nature of Gardens, Allen & Unwin, Sydney, 1999, reprinted twice 2000, pp. 136-58.
'Bludgeon, Dirk and Grease', Eureka Street, July/August 1999, pp. 34-40; also published in modified form in Brad Buckley & John Kominos (eds), Republics of Ideas, Sydney, Pluto Press, 2001, pp. 45-64
'With Heads held High', The Australian's Review of Books, June 1999, pp. 14-16.
'Grand Prix Culture', The Australian's Review of Books, February 1999, pp. 3-4.
1998
'Australia First?', Art Monthly Australia, no. 114, October 1998, pp. 16-20.
'Colour Separation', The Australian's Review of Books, June 1998, pp. 13-14, 31.
'Landscape of Ideas', Eureka Street, May 1998, pp. 28-35; also published in modified form as 'Missing the Difference' in After the Garden?, special issue of South Atlantic Quarterly, vol. 98, no. 4, Fall, pp. 655-68.
'Conservation' in Graeme Davison, John Hirst & Stuart McIntyre (eds), The Oxford Companion to Australian History, Melbourne, Oxford University Press, pp. 146-8.
co-authored with Tom Griffiths, 'John Mulvaney' in Graeme Davison, John Hirst & Stuart McIntyre (eds), The Oxford Companion to Australian History, Melbourne, Oxford University Press, 1998, pp. 443-4.
1997
'Disturbing the Dead', Art Monthly Australia, no. 105, November, pp. 9-12.
'The Uncritical Culture', Eureka Street, October, pp. 24-32.
'What the Eye Doesn't See', Eureka Street, June, pp. 34-5.
'Peugeot's Paris', Art Monthly Australia, no. 98, April, pp. 10-11.
'The Paris Harbour Bridge', Eureka Street, March, pp. 37-38.
'No Dams: The Art of Olegas Truchanas and Peter Dombrovskis', in Roger Butler (ed.), The Europeans: Emigre Artists in Australia 1930-1960, National Gallery of Australia, Canberra, 1997, pp. 236-53.
'The Primeval Forest', in John Dargavel (ed.), The Coming of Age, Australian Heritage Commission, Canberra, pp. 7-16; also published in John Dargavel (ed.), Australia's Ever-Changing Forests III, Centre for Resource and Environmental Studies, Australian National University, Canberra, pp. 24-34.
'The Ploughman's View', in Geoff Levitus (ed.), Lying about the Landscape, Craftsman House, Sydney, pp. 52-67.
1996
'Streeton's Ghost', Eureka Street, November 1996, pp. 14-16.
'The Stuff of Heritage' in Tim Bonyhady & Tom Griffiths (eds), Prehistory to Politics: John Mulvaney, the Humanities and the Public Intellectual, Melbourne, Melbourne University Press, 1996, reprint, 1997, pp. 144-62.
co-authored with Tom Griffiths, 'The Making of a Public Intellectual' in Tim Bonyhady & Tom Griffiths (eds), Prehistory to Politics: John Mulvaney, the Humanities and the Public Intellectual, Melbourne, Melbourne University Press, 1996, reprint, 1997, pp. 1-19.
'The Artist as Activist: John Watt Beattie on the Gordon River' in Pete Hay (ed.), Imagine Nature, Tasmanian School of Art, Hobart, 1996, pp. 20-31; also published in reduced form in Periphery, no. 26, February, pp. 7-9.
'Pedder Pennies', in Jonathon Holmes (ed.), Brushing the Dark: Recent Art and Tasmania, Contemporary Art Services Tasmania, Hobart, pp. 26-30.
1995
'The Battle for Balmain', in Pat Troy (ed.), Australian Cities, Melbourne, Cambridge University Press, 1995, pp. 112-41; also published in reduced form in Urban Futures, no. 18, June, pp. 25-34.
'Artists with Axes', Environment and History, vol. 1, no. 2, June 1995, pp. 221-39; also published in reduced form in Art Monthly Australia, no. 80, June, pp. 6-10.
'A Usable Past: The Public Trust in Australia', Environmental and Planning Law Journal, vol. 12, 1995, pp. 329-38; also published in Defending the Environment: Second Public Interest Environmental Law Conference, Australian Centre for Environmental Law, Adelaide, pp. 355-72.
1994
'The Art of Wilderness', Art Monthly Australia, no. 68, April , pp. 4-7; also published in Will Barton (ed.), Wilderness: The Future, Sydney, Envirobooks, 1994, pp. 170-180.
'Undermining Sydney', Eureka Street, vol. 4, no. 9, November, pp. 40-42.
1993
'Lake Pedder 1971', Island, no. 56, spring, pp. 29-34.
'Lake Pedder 1871', Island, no. 55, winter, pp. 16-21.
'A Different Streeton', Art Monthly Australia, no. 61, July, pp. 8-12.
1992
'A Rat's Tale', Overland, no. 127, winter , pp. 7-9
'Introduction' and 'Property Rights', in Tim Bonyhady (ed.), Environmental Protection and Legal Change, Sydney, Federation Press, pp. vii-viii, 41-78.
'Art Without Economics', Art Monthly Australia, no. 51, July , pp. 11-12.
'The Australian of the Year', Overland, no. 129, summer , pp. 11-18.
1990
'The Politics of Colonial Sculpture', Art and Australia, vol. 28, no. 1, spring, pp. 102-106.
1988
'Drawing in Australia', Art Monthly Australia, no. 15, October, pp. 12-13.
'Is this Australia's Face?', Art Monthly Australia, no. 14, September, pp. 1-3.
'A National Landscape', "'To Quit Barbarous for Civilized Life'", and 'Aboriginal Celebrities', in Daniel Thomas (ed.), Creating Australia: 200 Years of Art, 1788-1988, Adelaide, International Cultural Corporation of Australia/ Art Gallery Board of South Australia, pp. 46-7, 76-7, 92-3.
'The Commandant and the Convict' in Tim Bonyhady (ed.), The Skottowe Manuscript: Thomas Skottowe's Select Specimens from Nature of the Birds, Animals &c. &c. of New South Wales, Sydney, David Ell Press/ Hordern House, vol. 1, pp. 11-39, 73-8.
1987
'Eugene von Guérard's South Australia', Imprint, vol. 22, nos 1-2, June , pp. 12-14.
'German Melbourne' in Hans Gercke (ed.), Australian Impressions: One Hundred Years of Landscape Painting, Heidelberg, Braus, pp. 18-33.
1980
'Duterrau's Paintings of the Tasmanian Aborigines', Bowyang, no. 3, April , pp. 93-105.

Professor in Historical Musicology
Department of Music J09
University of Sydney
Email: richard.charteris@sydney.edu.au
Website: http://www-personal.arts.usyd.edu.au/charteris/

BA, MA, PhD (Canterbury), ATCL (London) FRHistS

Expertise: Historical Musicology; European Music of the 16th, 17th and 18th centuries; editorial boards in Europe and USA.

Selected Publications:
Professor Richard Charteris's research publications include 51 books (including musicological studies and major monographical critical editions), 60 refereed articles in musicological journals and books, and 100 performing editions. His research on early music has resulted in major publications concerning Andrea and Giovanni Gabrieli, Claudio Monteverdi, Johann Christian Bach, John Coprario, Alfonso Ferrabosco the Elder, Domenico Maria Ferrabosco, Adam Gumpelzhaimer, Hans Leo Hassler and Thomas Lupo. His publishers include the American Institute of Musicology, Oxford University Press, Stainer & Bell and The Royal Musical Association (London), A-R Editions Inc. (USA), Hänssler-Verlag (Germany), The British Library, The Music Library Association (USA), Fretwork (London), PRB Productions (USA), Pendragon Press (New York), King's Music and Beauchamp Press (UK). Further details appear on his website: http://www.arts.usyd.edu.au/~charteris/

ARC Professorial Fellow
Department Art History and Theory
University of Sydney
Email: john.clark@sydney.edu.au

BA Hons Politics(Lancaster 1968), Postgraduate Certificate in Fine Art - Painting(Croydon 1978), PhD(Sheffield 1986) 'Japanese foreign Policy and the War in Vietnam'

Born 8. 11. 1946 at Grimsby, England, holding Australian citizenship from 1996. Three children. Spouse is the Thai painter Phaptawan Suwannakudt.

Expertise: Modern Asian Art
Interests: art, music, life.

Selected Publications:
editor and contributor, Modernity in Asian Art, Wild Peony Press, Sydney & University of Hawaii Press, Honolulu 1993
author, Modern Asian Art, Craftsman House, Sydney & University of Hawaii Press, Honolulu, 1998.
Translator, Kuki Shûzô, An Essay on Japanese taste - The Structure of ‘Iki’ (co-edited with Sakuko Matsui) Power Publications, Sydney, 1997.
Co-curator, Modern Boy, Modern Girl, Art Gallery of New South Wales, 1998.
Co-editor with Elise Tipton , Being Modern in Japan: Culture and Society from the 1910s to the 1930s, Sydney, Australian Humanities Research Foundation and Honolulu, University of Hawaii Press, 2000
Editor and contributor, Chinese Art at the end of the Millenium, Hong Kong, New Art Media, 2000
Author, Japanese Exchanges in Art, 1850s-1930s, Sydney, Power Publications, 2001, with some contributions by other scholars.
co-convenor, international conference 'Our Modernities: Positioning Asian Art Now',Singapore, February 2004.

Email: coaldrake@bigpond.com

BA(ANU), MA, PhD(Harvard)

Professor Coaldrake is the Foundation Professor of Japanese, The University of Melbourne, Australia and Head of Japanese Studies, Melbourne Institute of Asian Languages and Societies. Prior to that he was the Convenor, Japan Interest Group and the Deputy Convenor, Country Convenors’ Committee, The University of Melbourne 1996, Visiting Scholar, Edwin O. Reischauer Institute of Japanese Studies, Harvard University, U.S.A. 1992-1995, Head, Department of Japanese and Chinese, The University of Melbourne 1991-1992, Senior Research Fellow, Division of Pacific and Asian History, The Australian National University 1991, Senior Associate Member, St Antony's College, University of Oxford, U.K.1990-1991, Founding Program Convenor and Course Coordinator, Graduate Program in East Asian Studies, The Australian National University 1989, Visiting University Lecturer, Oriental Institute, University of Oxford, U.K., Research Fellow, Division of Pacific and Asian History, The Australian National University, 1986-1988, Visiting Research Fellow, Department of Architecture, Faculty of Engineering, University of Tokyo, 1983-1986, Lecturer on Fine Arts, Harvard University, U.S.A. Professor Coaldrake has presented courses in the Department of Fine Arts, East Asian Languages and Civilizations, Architecture, and the Core Curriculum, 1983-1986 as a Lecturer on Fine Arts, Harvard University, U.S.A. He has been active on the committees of the Establishment Committee for TAASA-Victoria (Asian Arts Society of Australia) (1997), National Management Committee, Asian Arts Society of Australia (1997-present), Victoria Management Committee (1997-present), Editorial Board, Japanese Studies, Journal of the Japanese Studies Association of Australia (1996-present), and the Japanese Studies Association of Australia. He is the Project Leader, Conservation of Taitokuin Mausoleum Model, Royal Collection, U.K. (1999-present) and has acted as a consultant for "Samurai Science", Discover Magazine, Discovery Channel. He continues his research interests in Japanese architectural and urban history, Japanese art history,Japanese art and architectural conservation, Japanese history from Tokugawa to present, and Contemporary Australia-Japan political and cultural relations

Expertise: History of Japanese Art and Architecture

Selected Publications:
Books
Architecture and Authority in Japan. Nissan Institute, Oxford, Japan Studies Series. London and New York, Routledge, 1996.
The Way of the Carpenter - Tools and Japanese Architecture. Tokyo and New York, Weatherhill, 1990.
Japanese Castles, translation and adaptation, with introduction, appendices and glossary added. Japanese Arts Library, Tokyo, New York and San Francisco. Kodansha International and Shibundo, 1986. Originally published in Japanese as Shiro, by Moto Hinago, Nihon no Bijutsu series no. 54, 1970.


Editor, special edition on Asian Architecture, TAASA Review, The Journal of the Asian Arts Society of Australia, Vol. 6-4, December 1997.

Articles and Chapters:
"Taitokuin reibyo no yomigaeri" (The Rebirth of the Taitokuin Mausoleum). Kenchikushi, Number 30, April 1998, pp. 66-74.
"Western Technology Transfer and the Japanese Architectural Heritage in the Late Nineteenth Century". Fabrications, 5, September 1994, pp. 21-57.
"Building a New Establishment: Tokugawa Iemitsu's Consolidation of Power and the Taitokuin Mausoleum' in Edo and Paris: Urban Life and the State in the Early Modern Era, James L. McClain, John M. Merriman and Ugawa Kaoru (ed.), Ithaca and New York, Cornell University Press, 1994, pp. 153-172. (Also published in Japanese.)
"Componenti nuovi, assemblaggi antichi" (New Tradition, Old Technology). Casabella, Nos. 608-609, January-February, 1994, pp. 68-71.
"Unno: Edo-period Post-town of the central Japan Alps". Asian Art, Arthur M. Sackler Gallery, Smithsonian Institution and Oxford University Press, Spring, 1992, pp. 8-29.

Director
Email: r.covell@unsw.edu.au

BA(Qld), PhD(UNSW)

Professor Roger Covell completed his doctoral studies in early baroque opera. He has edited and arranged the earliest Australian musical play, Edward Geoghegan’s The Currency Lass (Sydney, Currency, 1976). He is the Founding head of the School of Music and Music Education, and his activities include choral and operatic conducting, composing and arranging, musical direction of University of New South Wales Opera, co-founding the Australia Ensemble resident at UNSW and the publication of ongoing research in opera, baroque music and Australian music. Former national president of both the Musicological Society of Australia and the Australian Society for Music Education, he also writes as chief music critic of The Sydney Morning Herald, an activity that earned him the Geraldine Pascal Prize.

Interests: Australian Music; Italian Baroque Opera; French 19th-20th Century Opera

Selected Publications:
Books:
Australia’s Music: themes of a new society, Melbourne, Sun, 1967

Visiting Professor of Architecture, UNSW
Email: sydney@cox.com.au
Website: http://www.cox.com.au

BArch(Sydney), DipTCP

Philip Cox is a prominent, practicing architect whose works is derived from the Australian tradition. He has been responsible for major work all over the country including the Sydney Football Stadium, the Sydney Maritime Museum and the Yurala tourist Resort at Uluru, which best exemplifies his skill and creativity, his empathy with the vernacular tradition, and the appeal of his work to lay persons.

Cinema Studies
School of Culture and Communication
University of Melbourne
Email: bacreed@unimelb.edu.au

BA (Monash), Dip Ed (Monash), MA (La Trobe), PhD (La Trobe)

Barbara Creed is professor of cinema studies at the University of Melbourne.
She is author of numerous scholarly articles, chapters and books including The Monstrous-Feminine: film, feminism, psychoanalysis; Pandora’s Box: essays in film theory and Phallic Panic: film, horror and the primal uncanny. She has spoken widely on film both nationally and internationally and is a member of a number of national and international editorial boards. She is a well-known film reviewer and media commentator.

Expertise: Feminist film theory, psychoanalytic theory, postmodernism and popular contemporary film
Interests: Charles Darwin, Darwinism and early cinema. Human and animal rights, the environment.

Selected Publications:
Books – Authored – Research
CREED, B.A., Phallic Panic: Film, Horror and the Primal Uncanny, Melbourne University Press, Melbourne: viii + 232pp. (2005)

CREED, B.A., Pandora’s Box: Essays in Film Theory, Australian Centre for the Moving Image, Melbourne: vi + 144 pp. (2004)

CREED, B.A., Media Matrix: Sexing the New Reality, Allen & Unwin, Sydney: xi + 216 pp. (2003)

CREED, B.A., The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge, London and New York: xi + 182 pp. (1993) Republished – 1994, 1997, 2003 (twice) , 2005

Books & Journals – Edited
CREED, B.A. and HOORN, J.J. (eds.) Body Trade: Captivity, Cannibalism, Colonialism in the Pacific, Pluto, Australia; Routledge, USA & GB; University of Otago: New Zealand: xiii + 295 pp. (2001) 50% contribution.

CREED, B.A., CAUGHIE, J., KUHN, A., MERCKE, M., J. (eds.) The Sexual Subject: A Screen Reader in Sexuality, Routledge, London: xvi + 339 pp. (1992).

CREED, B.A., FREIBERG, F., and BLONSKI, A., Don’t Shoot Darling! Women’s Independent Filmmaking in Australia, Greenhouse Press, Melbourne: xxx + 400 pp. (1987),

Articles & Chapters
CREED, B.A. ‘A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film’, Continuum: Journal of Media & Cultural Studies, Vol, 20, No. 1, pp. 45-60 (2006)

CREED, B.A., ‘The End of the Everyday: Transformation, Sexuality and the Uncanny’, Continuum: Journal of Media & Cultural Studies, Vol. 19, No. 4, pp. 483-494 (2005)

CREED, B.A., ‘Freud’s Worst Nightmare: Dining out with Dr Hannibal Lecter’ in Steven Jay Schneider (ed), The Horror Film and Psychoanalysis: Freud’s Worst Nightmare, Cambridge University Press, New York: pp. 188-202 (2004).

CREED, B.A., ‘Breeding out the Black: Jedda and the Stolen Generations in Australia’ in Barbara Creed and Jeanette Hoorn (eds), Body Trade: Captivity, Cannibalism, Colonialism in the Pacific, Pluto, Australia; Routledge, USA & GB; Otago, New Zealand: pp. 208-230 (2001)

CREED, B.A. ‘Bad Taste & Antipodal Inversion: Peter Jackson’s Colonial Suburbs’, Postcolonial Studies, v 3, no 1, pp. 61-68 (April 2000).

CREED, B.A. ‘The Cyberstar: Digital Pleasure and the End of the Unconscious’ ,Screen, vol. 41, no 1, pp. 79-85 (Spring 2000).

CREED, B.A. ‘Modernity & Misogyny: Film and the Public Erotic’, The Sir Joseph Burke lecture, Melbourne Art Journal, No 2, pp. 4-14 (1999)

CREED, B.A., ‘The Naked Crunch: Homoeroticism in the Films of David Cronenberg’ in Michael Grant (ed.), The Modern Fantastic: The Films of David Cronenberg, Flicks Books, London: pp. 84-101 (1999)

CREED, BA. ‘Anal Wounds: Metallic Kisses’. Screen, vol. 39, no 2, pp. 175-179 (1998)

Articles & Chapters
CREED, B.A. ‘A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film’, Continuum: Journal of Media & Cultural Studies, Vol, 20, No. 1, pp. 45-60 (2006)

CREED, B.A., ‘The End of the Everyday: Transformation, Sexuality and the Uncanny’, Continuum: Journal of Media & Cultural Studies, Vol. 19, No. 4, pp. 483-494 (2005)

CREED, B.A., ‘Freud’s Worst Nightmare: Dining out with Dr Hannibal Lecter’ in Steven Jay Schneider (ed), The Horror Film and Psychoanalysis: Freud’s Worst Nightmare, Cambridge University Press, New York: pp. 188-202 (2004).

CREED, B.A., ‘Breeding out the Black: Jedda and the Stolen Generations in Australia’ in Barbara Creed and Jeanette Hoorn (eds), Body Trade: Captivity, Cannibalism, Colonialism in the Pacific, Pluto, Australia; Routledge, USA & GB; Otago, New Zealand: pp. 208-230 (2001)

CREED, B.A. ‘Bad Taste & Antipodal Inversion: Peter Jackson’s Colonial Suburbs’, Postcolonial Studies, v 3, no 1, pp. 61-68 (April 2000).

CREED, B.A. ‘The Cyberstar: Digital Pleasure and the End of the Unconscious’ ,Screen, vol. 41, no 1, pp. 79-85 (Spring 2000).

CREED, B.A. ‘Modernity & Misogyny: Film and the Public Erotic’, The Sir Joseph Burke lecture, Melbourne Art Journal, No 2, pp. 4-14 (1999)

CREED, B.A., ‘The Naked Crunch: Homoeroticism in the Films of David Cronenberg’ in Michael Grant (ed.), The Modern Fantastic: The Films of David Cronenberg, Flicks Books, London: pp. 84-101 (1999)

CREED, BA. ‘Anal Wounds: Metallic Kisses’. Screen, vol. 39, no 2, pp. 175-179 (1998)

CREED, B.A. ‘Film & Psychoanalysis’, The Oxford Guide to Film Studies, (eds) John Hill & Pamela Church Gibson, Oxford University Press, Oxford & New York, Ch.pp. 77-90 (1998)